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Macbeth: Joseph Millson is a captivating, swarthy Macbeth

Posted: Jul, 09, 2013

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The Times shared a 4 star review for Macbeth online, describing it as utterly absorbing and unusually amusing, but you have to be a sunscriber to read it. Alternatively grab the dead tree version tomorrow. Two more reviews have been shared online this evening.

There are moments when the production comes close to slapstick but it is saved by sensitive performances and Olly Fox’s stirring period score, which is played by musicians on the balcony. Joseph Millson is a captivating, swarthy Macbeth and Samantha Spiro brings a steely composure to the part of his bullying wife, barking orders and insults with relish... Financial Times

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The Dead 2: a standout performance from Joseph Millson

Posted: Jul, 08, 2013

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The FrightFest website has added a page for The Dead 2 on its website, and has also posted lovely words about Joseph's performance. 

The world premieres include our opening night attraction THE DEAD 2: INDIA from the Ford Brothers featuring a stand-out performance from British actor Joseph Millson.

The reviews for Macbeth continue to trickle in, mostly very positive now, but some not enjoying the comedy element. Again planty of lovely comments about Joseph's performance.

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Macbeth: Millson, easily commanding with his mellifluous voice...

Posted: Jul, 07, 2013

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The Guardian has shared a second, wonderful review of Macbeth from Susannah Clapp, while The Independent's Kate Bassett also posted her brilliant review. 

Joseph Millson, easily commanding with his mellifluous voice, is mellow-toned but – watch the amount he paces around the stage – always on the brink. When things start to go wrong, you see the couple being driven apart, as couples are by unhappiness. Macbeth grabs his wife by the throat. The Guardian

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Macbeth: Millson's soliloquy a chilling, whispered epiphany

Posted: Jul, 06, 2013

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The Telegraph shared a second 4 star review, and The Londonist also shared a fabulous review for Macbeth.

But this is a fresh, intelligent examination of Shakespeare’s awkward, uneven script and should divide opinion strongly. The Telegraph

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